Vintage Revolution PedalPro Owner's Manual Page 41

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Post Effects
41
the value with the selection dial [4].
Input – Range: 0-100%.
The Input parameter defines the input gain of the analogue Chorus effect.
• To alter the input gain of the Chorus, press EDIT [5]. Use the arrow keys
[3] to position the blinking cursor next to Input. Adjust the value with the
selection dial [4].
Depth – Depth of the Chorus modulation. Range: 0-100%
• To alter the depth of the Chorus effect, press EDIT [5]. Use the arrow keys
[3] to position the blinking cursor next to Depth. Adjust the value with the
selection dial [4].
Ph – Phase of the Chorus modulator. Range: 0°, 90°, 180°, 270°
The phase of the modulator controls the phase of the modulating waveform.
It is used to control the relative phase among effects that offer the possibil-
ity of selecting the Phase of the Modulator (Ph), such as the Tremolo/Panner,
Phaser, Auto Filters, etc. This parameter is particularly useful when the Chorus
is used in combination with the Vibe, as it gives you the option to synchronise
their tempos.
• To alter the phase of the Chorus modulator, press EDIT [5]. Use the arrow
keys [3] to position the blinking cursor next to Ph. Adjust the value with
the selection dial [4].
Wv – Modulating waveform. Range: sine, trig, trap, rect, expo, shl1, shl2
The chorus modulating waveform parameter allows you to select from
among the available modulating waveforms. All the classic waveforms are
included, along with some exclusive, VR-designed waveforms. Available
waveforms include: sine, triangle, trapeze, rectangle, and shlf (shelf) (see Ap-
pendix A for more details on the modulating waveforms).
• To change or select a modulating waveform, press EDIT [5]. Use the arrow
keys [3] to position the blinking cursor next to Wv. Adjust the value with
the selection dial [4].
Wt – Wet/dry ratio control. Range: 0-100%
The Wet parameter allows you to control the ratio between Chorus signal
(wet) and input signal (dry) in the Chorus output signal.
• To alter the wet/dry ratio of the Chorus, press EDIT [5]. Use the arrow keys
[3] to position the blinking cursor next to Wt. Adjust the value with the
selection dial [4].
PAGE 3/4 - VIBE CONFIGURATION
This completely new effect is produced by amplitude-modulating the
amount of detuned signal produced by the chorus, before it is mixed with
the dry signal.
This effect sounds greatly enhances either a fast chorus (for a ‘Lesley’ sound)
or a very slow chorus (below 40 BPM). Select modulation Type: ch&vib on
page 1/4 and use the settings for the Vibe on page 3/4 in combination with
the Chorus settings on page 2/4.
Boos
Á
3/4V bi e È
Tempo: 05 . Ph: 081 Ì5 0
Depth: 03 . Wv: nis e2 1
TIPS & TRICKS - CHORUS
• Set Bright:
Â
(standard/off) for a more natural chorus sound (similar to
the Boss CE-1*). Use Bright:
Á
(bright low-pass/on) if you are looking for
a sound with plenty of high and middle tones.
• Start by using an input gain of 100% (set Input:100.0). If you normally
use the chorus on its own, input 100% works well with both single and
double coil pickups. If you usually combine your chorus with other ef-
fects, slightly reduce the input gain.
• By setting a Tempo of between 25 and 40 BPM, Depth: 100.0 (or 100%)
and Wv: trig, a sweet slow chorus sound will be produced like that of a
Boss CE-1*.
• To produce a Vibrato sound, increase the speed (parameter Tempo)
starting from 85 BPM and reduce the value of Depth. Use a sine wave-
form (set Wv: sine)
*All trademarks are property of their respective owners and used for reference only.
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